The Saxophone in Jazz Music Research Paper Example | Topics and Well Written Essays - 1250 words

The Saxophone in Jazz Music - research Paper ExampleThe invention of the sax is credited to a Belgian by the name, Antoine-Joseph Sax. Adolphe was born on 6th November 1814 and gained interest in musical interest from his father Charles. Adolphes father was a skipper craftsman of musical official documents. To this end, Adolphe became an expert craftsman of musical instruments when he was just six years old. most of his notable specimens included clarinets and flutes. Moreover, he devoted more time to studying these two instruments at the capital of Belgium Conservatory. As a result, Adolphe noticed that there was a difference in tone between woodwinds and giving medicationes. Evidently, he discovered that woodwinds were being overpowered by the brasses. Moreover, he equally noted tonal differences between the winds and strings whereby the last mentioned was overpowered by the former. Consequently, Sax identified the need to invent a new instrument that achieved some fancy of balance between the strings, brass, and woodwinds. He envisioned a sound that have the brass tone from the proclaim and the woodwind sound from the clarinet. As a result, Adolphe innovatively incorporated the mouth slice from the woodwind and the structural form of the brass instrument. The end product was the saxophone.To this end, the pioneer saxophone was a C bass which Sax displayed to the prominently notable composer, intimidate Berlioz in 1841. Berlioz was mesmerized by the versatility, dynamic have got and unique tone of the saxophone. As a result, in 1842, Adolphe migrated to Paris to publicize his saxophone.... Consequently, Sax identified the need to invent a new instrument that achieved some semblance of balance between the strings, brass and woodwinds. He envisioned a sound that combined the brass tone from the trumpet and the woodwind sound from the clarinet. As a result, Adolphe innovatively incorporated the mouth piece from the woodwind and the structural form o f the brass instrument. The end product was the saxophone. To this end, the pioneer saxophone was a C bass which Sax displayed to the prominently renowned composer, Hector Belioz in 1841(Koenig 295). Belioz was mesmerized by the versatility, dynamic control and unique tone of the saxophone. As a result, in 1842, Adolphe migrated to Paris to publicize his saxophone. At around the selfsame(prenominal) time, an article entitled Journal des Debats was published by Hector Belioz. The article described Adolfs innovative saxophone in depth. Consequently, by 1846 Adolphe Sax was officially recognized as the owner of the saxophone when it was exhibited in public during the Paris Industrial Exhibition. Moreover, in 1844 a concert organized by Hector Belioz and known as the Chante Sacre featured the saxophone for the first time. However, it was the opera of the Last King of Juda that marked the orchestral debut of the saxophone. Apparently, Adolphe proposed a contest between bands. The contes t pitted his army band composed of saxophones against another(prenominal) one that was composed of traditional instruments. Evidently, Adolphes band carried the day and hence proved that saxophones had the capacity to remediate the quality of tone in all the bands. By 1845, the B and E flat saxophones replaced the French horns, oboes and bassoons that were use in French military